#Gearslutz reamp with headphone out how to#
#Gearslutz reamp with headphone out pro#
#Gearslutz reamp with headphone out zip#

So, the camera would not record good signal-to-noise either. So, if we set up the same test is in the video, you would record poor signal-to-noise in the H4n, the H4n would send poor signal to noise out the headphone to the camera. The signal-to-noise coming out the headphone of the H4n will not be any better than what is captured by its internal analog to digital converter. The signal-to-noise is going to be set by the analog to digital converter inside the H4n.

#Gearslutz reamp with headphone out pro#

No, that actually does not work to improve the signal-to-noise for the situations described in the comparison video (that dynamic MIC challenge from the pro video coalition). If you already have an H4d similar, connect it directly to the mic in port on the camera via an attenuator cable, in effect using the recorder as a preamp.'

The juicedLink still seems like a good option as a preamp regardless of the final recorder being used (even if it's a Canon 7D or Canon 60D), but you will find that the more sensitive the microphone, and the closer you can get it to the subject, the better the signal performance should be. Even in difficult situations and without a mixer, I'm able to get stellar results. The Sound Devices 702 is actually the recorder that I use most often, combined with a Rode NTG-3. Video is no longer available: The results aren't very surprising if you've used any of these devices before, though the results of any of the recorders would certainly be improved by using a mixer with a good preamp in front of the recorder. He received so much feedback that he's added a number of devices to the test and is now comparing the signal-to-noise ratio performance of the preamps of a number of devices, the Sound Devices 702, Zoom H4n, Tascam DR-100 MKII, Tascam DR-680, Edirol R44, Beachtek DXA-SLR PRO, and juicedLink Riggy Micro/Assist. The only people I could imagine complaining about the headphone amp on the RME UCX would be drummers with hearing damage trying to crank it beyond control, duck taping the cans to their heads to squeeze out more volume.Last month a test was conducted by Robert Rozak, President of juicedLink, comparing the preamps from his company's products with a similar offering from Beachtek, with both going right into the Canon 7D. You get 6 mono outs in addition to the 2 used for the headphones. Don't forget you can run a feed from the UCX to your home stereo and use the headphone out on the home stereo too. If you're close enough to the rack, I'll just split the RME headphone jack and use that. If I ever add a headphone amp, I won't rack it so I can throw it across the room. 🙂 They just play live and you get what you get. My friends in groups mostly can't be persuaded to don headphones. Now, it is important that the headphones reach the couch.

#Gearslutz reamp with headphone out how to#

No one who visits me would ever figure out how to use it. Now, if you're running a studio and everyone has to mix their own headphones, the do make something for that, but that's out of my league. You don't want to use anything less unless necessary.

#Gearslutz reamp with headphone out zip#

My RME also has SPIDF, so I sometimes zip a feed across the room and split from my slave device there as well.

I have the UCX and I just split the output.